130 bars of 4/4 at 132 BPM, about 3:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-17 and 34-36, and 3 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 8, 9, 13, 37, 41, 68 and 10 more.
5 more fills are written out on the fills page.
130 bars across 18 sections: 68 keep time, 16 are fills, 24 are stops and 7 are silent. The longest unbroken stretch of time is bars 116-123.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
130 bars, about 3:55 at the written tempo. The course breaks it into 57 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 8, 9, 13, 37, 41, 68 and 10 more.