130 bars of 4/4 at a walking 88 BPM, 6:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 55-71, 73 and 75, and 2 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 28 times: bars 13, 14, 16, 18, 20, 26 and 22 more.
11 more fills are written out on the fills page.
130 bars across 9 sections: 74 keep time, 28 are fills, 12 are stops and 7 are silent. The longest unbroken stretch of time is bars 55-79.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
130 bars, about 6:16 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 13, 14, 16, 18, 20, 26 and 22 more.