98 bars of 4/4 at 120 BPM, about 3:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 38-40, and 7 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 17, 37, 45, 53, 65, 67 and 6 more.
2 more fills are written out on the fills page.
98 bars across 7 sections: 68 keep time, 13 are fills and 8 are silent. The longest unbroken stretch of time is bars 22-36.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
98 bars, about 3:15 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 17, 37, 45, 53, 65, 67 and 6 more.