117 bars of 4/4 at 140 BPM, about 3:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10, 15-16 and 18-19, and 7 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 52 times: bars 1, 2, 3, 4, 5, 6 and 46 more.
11 more fills are written out on the fills page.
117 bars across 11 sections: 48 keep time, 52 are fills and 3 are stops. The longest unbroken stretch of time is bars 26-30.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
117 bars, about 3:21 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 52 times: bars 1, 2, 3, 4, 5, 6 and 46 more.