148 bars of 4/4 at 125 BPM, about 4:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 15 and 18-19, and 15 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 53 times: bars 14, 16, 17, 20, 24, 27 and 47 more.
21 more fills are written out on the fills page.
148 bars across 23 sections: 59 keep time, 53 are fills, 4 are stops and 15 are silent. The longest unbroken stretch of time is bars 5-8.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
148 bars, about 4:44 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 53 times: bars 14, 16, 17, 20, 24, 27 and 47 more.