211 bars of 4/4 at 130 BPM, about 6:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 82-88, 135-142 and 174-185, and 1 more place -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 42 times: bars 2, 3, 4, 5, 6, 7 and 36 more.
9 more fills are written out on the fills page.
211 bars across 19 sections: 112 keep time, 42 are fills, 24 are stops and 14 are silent. The longest unbroken stretch of time is bars 35-49.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
211 bars, about 6:30 at the written tempo. The course breaks it into 58 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 42 times: bars 2, 3, 4, 5, 6, 7 and 36 more.