180 bars at 190 BPM -- fast, and 3:47 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 69-83, 93-96 and 125-132, and 1 more place -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 32 times: bars 20, 27, 28, 36, 43, 44 and 26 more.
12 more fills are written out on the fills page.
180 bars across 22 sections: 98 keep time, 32 are fills, 10 are stops and 16 are silent. The longest unbroken stretch of time is bars 1-16.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
180 bars, about 3:47 at the written tempo. The course breaks it into 71 exercises over 20 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 32 times: bars 20, 27, 28, 36, 43, 44 and 26 more.