148 bars of 4/4 at 110 BPM, about 5:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 65, 67 and 69-70, and 8 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 34 times: bars 15, 23, 27, 32, 33, 34 and 28 more.
18 more fills are written out on the fills page.
148 bars across 10 sections: 46 keep time, 34 are fills, 46 are stops and 15 are silent. The longest unbroken stretch of time is bars 122-126.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
148 bars, about 5:23 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 34 times: bars 15, 23, 27, 32, 33, 34 and 28 more.