104 bars of 4/4 at a walking 82 BPM, 5:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-16 and 18-20, and 5 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 30 times: bars 1, 5, 9, 17, 25, 26 and 24 more.
19 more fills are written out on the fills page.
104 bars across 7 sections: 58 keep time, 30 are fills and 9 are stops. The longest unbroken stretch of time is bars 10-16.
82 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 52 out of 100; the rest of the number is everything around it.
104 bars, about 5:04 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 30 times: bars 1, 5, 9, 17, 25, 26 and 24 more.