123 bars of 4/4 at 115 BPM, about 4:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 3-5, 7-8 and 31-32, and 6 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 30 times: bars 1, 6, 9, 10, 18, 26 and 24 more.
14 more fills are written out on the fills page.
123 bars across 12 sections: 50 keep time, 30 are fills and 25 are stops. The longest unbroken stretch of time is bars 12-15.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
123 bars, about 4:17 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 30 times: bars 1, 6, 9, 10, 18, 26 and 24 more.