120 bars of 4/4 at a walking 97 BPM, 3:43 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 7 more places -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 19 times: bars 13, 17, 21, 25, 30, 32 and 13 more.
13 more fills are written out on the fills page.
120 bars across 20 sections: 44 keep time, 19 are fills, 31 are stops and 11 are silent. The longest unbroken stretch of time is bars 2-8.
97 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
120 bars, about 3:43 at the written tempo. The course breaks it into 64 exercises over 22 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 19 times: bars 13, 17, 21, 25, 30, 32 and 13 more.