332 bars at 170 BPM -- fast, and 7:49 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50-51, 54-55 and 58-59, and 24 more places -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 58 times: bars 26, 47, 48, 49, 52, 77 and 52 more.
14 more fills are written out on the fills page.
332 bars across 21 sections: 120 keep time, 58 are fills, 117 are stops and 19 are silent. The longest unbroken stretch of time is bars 1-24.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
332 bars, about 7:49 at the written tempo. The course breaks it into 68 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 58 times: bars 26, 47, 48, 49, 52, 77 and 52 more.