868 bars, 60:09, at 51 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 22-25, 30-31 and 38-41, and 13 more places -- 3.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
88 fills to learn, played 310 times: bars 17, 18, 19, 20, 21, 27 and 304 more.
85 more fills are written out on the fills page.
868 bars across 79 sections: 393 keep time, 310 are fills, 6 are stops and 66 are silent. The longest unbroken stretch of time is bars 361-373.
51 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
868 bars, about 60:09 at the written tempo. The course breaks it into 330 exercises over 119 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
88 fills to learn, played 310 times: bars 17, 18, 19, 20, 21, 27 and 304 more.