280 bars of 4/4 at 154 BPM, about 7:16 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 166, 168 and 170, and 26 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 42, 115, 181, 197, 213, 261 and 2 more.
1 more fill is written out on the fills page.
280 bars across 17 sections: 190 keep time, 8 are fills, 18 are stops and 50 are silent. The longest unbroken stretch of time is bars 231-260.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
280 bars, about 7:16 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 42, 115, 181, 197, 213, 261 and 2 more.