130 bars of 4/4 at a walking 105 BPM, 4:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35, 37 and 41, and 26 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 11 times: bars 60, 81, 82, 83, 84, 85 and 5 more.
130 bars across 10 sections: 96 keep time, 11 are fills and 12 are silent. The longest unbroken stretch of time is bars 91-117.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
130 bars, about 4:57 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 11 times: bars 60, 81, 82, 83, 84, 85 and 5 more.