90 bars of 4/4 at a walking 90 BPM, 4:00 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-9, 26-33 and 74-80, and 1 more place -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 6 times: bars 13, 21, 37, 45, 52 and 60.
90 bars across 7 sections: 69 keep time, 6 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 75-89.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
90 bars, about 4:00 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 13, 21, 37, 45, 52 and 60.