156 bars of 4/4 at 142 BPM, about 4:24 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33, 35 and 37, and 6 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 16, 40, 56, 80, 103, 104 and 1 more.
156 bars across 11 sections: 100 keep time, 7 are fills, 20 are stops and 16 are silent. The longest unbroken stretch of time is bars 113-135.
142 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
156 bars, about 4:24 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 16, 40, 56, 80, 103, 104 and 1 more.