266 bars of 4/4 at 135 BPM, about 7:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 97-103, 105-107 and 109, and 14 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 224, 232, 235, 236, 242, 264 and 1 more.
2 more fills are written out on the fills page.
266 bars across 28 sections: 206 keep time, 7 are fills, 5 are stops and 18 are silent. The longest unbroken stretch of time is bars 1-24.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
266 bars, about 7:53 at the written tempo. The course breaks it into 74 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 224, 232, 235, 236, 242, 264 and 1 more.