130 bars of 3/4 -- not four -- at 103 BPM, 3:48 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 25, and 16 more places -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 30 times: bars 4, 6, 8, 12, 16, 24 and 24 more.
1 more fill is written out on the fills page.
130 bars across 5 sections: 89 keep time, 30 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 74-87.
103 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
130 bars, about 3:48 at the written tempo. The course breaks it into 20 exercises over 10 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 30 times: bars 4, 6, 8, 12, 16, 24 and 24 more.