71 bars of 4/4 at a walking 92 BPM, 3:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4, 8 and 10, and 5 more places -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 16 times: bars 11, 19, 39, 43, 47, 51 and 10 more.
7 more fills are written out on the fills page.
71 bars across 9 sections: 39 keep time, 16 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 3-10.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
71 bars, about 3:05 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 16 times: bars 11, 19, 39, 43, 47, 51 and 10 more.