90 bars of 4/4 at 130 BPM, about 2:44 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 49-57 -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 15 times: bars 4, 6, 8, 10, 25, 40 and 9 more.
7 more fills are written out on the fills page.
90 bars across 14 sections: 47 keep time, 15 are fills, 13 are stops and 4 are silent. The longest unbroken stretch of time is bars 49-59.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
90 bars, about 2:44 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 4, 6, 8, 10, 25, 40 and 9 more.