61 bars at 158 BPM -- fast, and 1:28 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 13-19, 21 and 23-25, and 1 more place -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 17 times: bars 9, 10, 11, 20, 22, 26 and 11 more.
8 more fills are written out on the fills page.
61 bars across 8 sections: 23 keep time, 17 are fills, 11 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-6.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
61 bars, about 1:28 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 9, 10, 11, 20, 22, 26 and 11 more.