88 bars of 3/4 -- not four -- at 190 BPM, 1:38 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 69-73, 81 and 83-85, and 1 more place -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 35 times: bars 1, 2, 3, 4, 5, 6 and 29 more.
15 more fills are written out on the fills page.
88 bars across 11 sections: 28 keep time, 35 are fills, 14 are stops and 2 are silent. The longest unbroken stretch of time is bars 23-27.
190 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
88 bars, about 1:38 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 35 times: bars 1, 2, 3, 4, 5, 6 and 29 more.