136 bars of 4/4 at 128 BPM, about 4:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 43-49, 51-57 and 89-95, and 2 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 14, 16, 20, 29, 38, 40 and 16 more.
6 more fills are written out on the fills page.
136 bars across 11 sections: 85 keep time, 22 are fills, 2 are stops and 16 are silent. The longest unbroken stretch of time is bars 21-28.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
136 bars, about 4:13 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 14, 16, 20, 29, 38, 40 and 16 more.