137 bars of 4/4 at 150 BPM, about 3:39 of playing, on crash, ride, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-39, 41-47 and 77-83, and 7 more places -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 3 times: bars 104, 130 and 132.
137 bars across 12 sections: 96 keep time, 3 are fills, 22 are stops and 5 are silent. The longest unbroken stretch of time is bars 34-54.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
137 bars, about 3:39 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 24 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 104, 130 and 132.