97 bars, 6:00, at 64 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 75-82 and 87-96 -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 12, 14, 16, 24, 32, 35 and 9 more.
5 more fills are written out on the fills page.
97 bars across 12 sections: 66 keep time, 15 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 88-96.
64 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
97 bars, about 6:00 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 12, 14, 16, 24, 32, 35 and 9 more.