159 bars of 4/4 at a walking 88 BPM, 7:09 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 24, 28-29 and 32-34, and 15 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 38, 79, 88, 89, 90, 91 and 4 more.
1 more fill is written out on the fills page.
159 bars across 18 sections: 116 keep time, 10 are fills, 2 are stops and 18 are silent. The longest unbroken stretch of time is bars 92-104.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
159 bars, about 7:09 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 38, 79, 88, 89, 90, 91 and 4 more.