125 bars of 4/4 at 135 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 11-13, 15-17 and 23-25, and 11 more places -- 27.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 13 times: bars 14, 18, 26, 30, 56, 68 and 7 more.
125 bars across 17 sections: 89 keep time, 13 are fills and 2 are stops. The longest unbroken stretch of time is bars 42-55.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
125 bars, about 3:42 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 13 times: bars 14, 18, 26, 30, 56, 68 and 7 more.