87 bars of 4/4 at a walking 93 BPM, 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 7 and 11-12, and 2 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 29 and 45.
97 bars across 7 sections: 57 keep time, 2 are fills, 1 is a stop and 35 are silent. The longest unbroken stretch of time is bars 1-20.
93 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 43 out of 100; the rest of the number is everything around it.
87 bars, about 4:49 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 29 and 45.