160 bars at 170 BPM -- fast, and 3:46 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 44-46, 48 and 88-94, and 1 more place -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 50 times: bars 4, 5, 6, 7, 8, 9 and 44 more.
14 more fills are written out on the fills page.
160 bars across 20 sections: 63 keep time, 50 are fills, 21 are stops and 18 are silent. The longest unbroken stretch of time is bars 24-30.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
160 bars, about 3:46 at the written tempo. The course breaks it into 61 exercises over 16 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 50 times: bars 4, 5, 6, 7, 8, 9 and 44 more.