140 bars at 160 BPM -- fast, and 3:30 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13 and 15, and 18 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 16 times: bars 12, 16, 28, 68, 75, 76 and 10 more.
8 more fills are written out on the fills page.
140 bars across 10 sections: 89 keep time, 16 are fills, 23 are stops and 1 is silent. The longest unbroken stretch of time is bars 52-67.
160 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
140 bars, about 3:30 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 16 times: bars 12, 16, 28, 68, 75, 76 and 10 more.