100 bars of 4/4 at 113 BPM, about 3:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23 and 42-48 -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 24, 33, 37, 57, 58, 82 and 2 more.
1 more fill is written out on the fills page.
100 bars across 7 sections: 8 keep time, 8 are fills, 66 are stops and 14 are silent.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
100 bars, about 3:32 at the written tempo. The course breaks it into 17 exercises over 4 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 24, 33, 37, 57, 58, 82 and 2 more.