156 bars of 4/4 at 140 BPM, about 4:27 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-12, 15-16 and 19-20, and 13 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 4 times: bars 46, 75, 95 and 120.
156 bars across 14 sections: 108 keep time, 4 are fills, 16 are stops and 20 are silent. The longest unbroken stretch of time is bars 26-41.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
156 bars, about 4:27 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 46, 75, 95 and 120.