141 bars of 4/4 at 150 BPM, about 3:46 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 21-27, 29-31 and 33-34, and 2 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 19 times: bars 16, 20, 28, 32, 35, 36 and 13 more.
11 more fills are written out on the fills page.
141 bars across 21 sections: 93 keep time, 19 are fills, 5 are stops and 9 are silent. The longest unbroken stretch of time is bars 94-101.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 79 out of 100; the rest of the number is everything around it.
141 bars, about 3:46 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 19 times: bars 16, 20, 28, 32, 35, 36 and 13 more.