143 bars of 4/4 at 117 BPM, about 4:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15-21, 31-37 and 61-67 -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 22 times: bars 22, 30, 38, 60, 68, 82 and 16 more.
4 more fills are written out on the fills page.
143 bars across 11 sections: 88 keep time, 22 are fills, 11 are stops and 9 are silent. The longest unbroken stretch of time is bars 83-97.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
143 bars, about 4:53 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 22 times: bars 22, 30, 38, 60, 68, 82 and 16 more.