115 bars of 4/4 at 125 BPM, about 3:41 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 37-39, and 7 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 40 times: bars 17, 20, 21, 23, 40, 51 and 34 more.
12 more fills are written out on the fills page.
115 bars across 13 sections: 28 keep time, 40 are fills, 21 are stops and 23 are silent. The longest unbroken stretch of time is bars 45-50.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 3 out of 100; the rest of the number is everything around it.
115 bars, about 3:41 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 40 times: bars 17, 20, 21, 23, 40, 51 and 34 more.