120 bars of 4/4 at a walking 90 BPM, 5:20 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30, 32-34 and 36-40, and 5 more places -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 22 times: bars 2, 11, 21, 23, 41, 45 and 16 more.
2 more fills are written out on the fills page.
120 bars across 12 sections: 75 keep time, 22 are fills and 11 are stops. The longest unbroken stretch of time is bars 32-40.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
120 bars, about 5:20 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 22 times: bars 2, 11, 21, 23, 41, 45 and 16 more.