165 bars, 11:00, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 53-55, 57-59 and 61-63, and 3 more places -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 36 times: bars 7, 22, 25, 39, 40, 42 and 30 more.
13 more fills are written out on the fills page.
165 bars across 16 sections: 69 keep time, 37 are fills, 41 are stops and 3 are silent. The longest unbroken stretch of time is bars 89-94.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
165 bars, about 11:00 at the written tempo. The course breaks it into 63 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 36 times: bars 7, 22, 25, 39, 40, 42 and 30 more.