173 bars of 4/4 at 150 BPM, about 4:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 54, 56 and 58, and 10 more places -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 57 times: bars 8, 9, 10, 19, 20, 21 and 51 more.
18 more fills are written out on the fills page.
176 bars across 15 sections: 57 keep time, 57 are fills, 34 are stops and 20 are silent. The longest unbroken stretch of time is bars 153-158.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
173 bars, about 4:32 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 57 times: bars 8, 9, 10, 19, 20, 21 and 51 more.