81 bars, 4:33, at 72 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 19, 29 and 31, and 6 more places -- 11.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 17 times: bars 17, 21, 23, 24, 25, 32 and 11 more.
7 more fills are written out on the fills page.
81 bars across 10 sections: 48 keep time, 17 are fills and 4 are silent. The longest unbroken stretch of time is bars 33-39.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
81 bars, about 4:33 at the written tempo. The course breaks it into 40 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 17, 21, 23, 24, 25, 32 and 11 more.