619 bars, 34:21, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 250-252, 254-260 and 262-264, and 3 more places -- 6.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52 fills to learn, played 120 times: bars 51, 60, 63, 71, 72, 73 and 114 more.
48 more fills are written out on the fills page.
619 bars across 38 sections: 336 keep time, 121 are fills, 71 are stops and 44 are silent. The longest unbroken stretch of time is bars 459-476.
65 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
619 bars, about 34:21 at the written tempo. The course breaks it into 189 exercises over 58 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
52 fills to learn, played 120 times: bars 51, 60, 63, 71, 72, 73 and 114 more.