180 bars of 4/4 at 140 BPM, about 5:09 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-51 -- 28.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 26 times: bars 56, 68, 72, 76, 80, 89 and 20 more.
9 more fills are written out on the fills page.
180 bars across 9 sections: 132 keep time, 26 are fills, 11 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-51.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
180 bars, about 5:09 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 26 times: bars 56, 68, 72, 76, 80, 89 and 20 more.