112 bars of 4/4 at a walking 97 BPM, 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 14-15, and 4 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 36 times: bars 4, 8, 12, 16, 19, 21 and 30 more.
12 more fills are written out on the fills page.
112 bars across 12 sections: 61 keep time, 36 are fills and 5 are silent. The longest unbroken stretch of time is bars 54-60.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
112 bars, about 4:36 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 36 times: bars 4, 8, 12, 16, 19, 21 and 30 more.