179 bars of 4/4 at 116 BPM, about 7:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 77-78, 80-81 and 83, and 14 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 47 times: bars 16, 24, 31, 32, 40, 64 and 41 more.
12 more fills are written out on the fills page.
179 bars across 11 sections: 88 keep time, 47 are fills, 1 is a stop and 31 are silent. The longest unbroken stretch of time is bars 48-63.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
179 bars, about 7:15 at the written tempo. The course breaks it into 57 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 47 times: bars 16, 24, 31, 32, 40, 64 and 41 more.