214 bars of 4/4 at 128 BPM, about 6:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-20, and 3 more places -- 8.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 38 times: bars 25, 41, 49, 56, 57, 61 and 32 more.
16 more fills are written out on the fills page.
214 bars across 17 sections: 133 keep time, 38 are fills, 15 are stops and 11 are silent. The longest unbroken stretch of time is bars 95-123.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
214 bars, about 6:16 at the written tempo. The course breaks it into 69 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 38 times: bars 25, 41, 49, 56, 57, 61 and 32 more.