119 bars of 4/4 at a walking 100 BPM, 4:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-17, 19-24 and 40-43, and 1 more place -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 25 times: bars 32, 33, 35, 37, 54, 55 and 19 more.
9 more fills are written out on the fills page.
119 bars across 16 sections: 72 keep time, 25 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 11-24.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 69 out of 100; the rest of the number is everything around it.
119 bars, about 4:44 at the written tempo. The course breaks it into 48 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 32, 33, 35, 37, 54, 55 and 19 more.