109 bars of 4/4 at a walking 90 BPM, 4:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-10, 13-14 and 17-18, and 7 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 34 times: bars 8, 28, 31, 32, 35, 36 and 28 more.
6 more fills are written out on the fills page.
109 bars across 8 sections: 60 keep time, 34 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 9-27.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
109 bars, about 4:51 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 34 times: bars 8, 28, 31, 32, 35, 36 and 28 more.