88 bars of 6/4 -- not four -- at 101 BPM, 4:27 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-13, 19-20 and 24-25, and 3 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 26 times: bars 5, 14, 16, 17, 21, 26 and 20 more.
10 more fills are written out on the fills page.
88 bars across 7 sections: 36 keep time, 26 are fills, 1 is a stop and 19 are silent. The longest unbroken stretch of time is bars 7-13.
101 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
88 bars, about 4:27 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 26 times: bars 5, 14, 16, 17, 21, 26 and 20 more.