195 bars of 4/4 at a walking 80 BPM, 9:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-46, 48-49 and 55-58, and 9 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 33 times: bars 17, 18, 42, 54, 64, 66 and 27 more.
4 more fills are written out on the fills page.
195 bars across 31 sections: 119 keep time, 33 are fills, 3 are stops and 12 are silent. The longest unbroken stretch of time is bars 28-41.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
195 bars, about 9:45 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 33 times: bars 17, 18, 42, 54, 64, 66 and 27 more.