154 bars of 4/4 at 140 BPM, about 4:25 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23, 25-30 and 41-47, and 2 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 16, 64, 69, 79, 80, 87 and 16 more.
6 more fills are written out on the fills page.
154 bars across 19 sections: 79 keep time, 22 are fills, 20 are stops and 23 are silent. The longest unbroken stretch of time is bars 42-59.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 40 out of 100; the rest of the number is everything around it.
154 bars, about 4:25 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 16, 64, 69, 79, 80, 87 and 16 more.